“We’re obviously disappointed,” Clark said in a phone interview. But their lawyer, Ramsey Clark - who has represented controversial figures such as Saddam Hussein and Slobodan Milosevic - said Monday that he is not giving up. The plaintiffs are 20 descendants of the legendary Native American chieftain Geronimo hoping to reclaim their ancestor’s remains. The building is still used by the Scroll and Key Society and was extensively renovated in 2010.It looks like the public will not be learning any times soon whether the secret society Skull and Bones keeps an Apache warrior’s skull in its tomb.Ī District of Columbia judge on July 27 dismissed a case that had been brought against the mysterious society, as well as the University and senior members of the U.S. In 1901, the building was seamlessly extended to its northwestern end. The cast-iron fence surrounding the building features Moorish-inspired horseshoe arches and was added a few years later due to budget constraints.
SKULL AND BONES TOMB WINDOWS
The deep-set windows on the front, sides, and the back of the building are long narrow arches and consist of stone window screens with three small carved openings. These stars and imposts reoccur on the cornice design. The parapet features six octagonal stars and four octagonal posts topped with pointed domes. An elaborately carved impost band with arabesque motifs rests above the heavy black door. The columns elevate the three blind arches, which mark the front entrance of the building. Four narrow granite columns-two thinner red ones and two slightly larger grey ones-are topped with bright white capitals, reminiscent of the Alhambra in Granada, Spain. The exterior masonry features thin dark-striped bands against light-colored stone. It took quite some time and effort before Scroll and Key was able to purchase land on Yale’s campus (perhaps because of the machinations of Skull and Bones), and the lot they acquired presented further limitations.Īs it stands today, the Scroll and Key Society Building is compact and symmetrical in its design. It is possible that this compromise was due not only to financial constraints, but political and logistical ones as well. Only the two-story Moorish wing was built. The Moorish facade not only added to the mystery of what was taking place inside this “tomb,” but also indicated that Scroll and Key members were in tune with the broader artistic culture of the time.Ī surviving drawing from circa 1869 indicates that Hunt originally planned a much larger building with a flat-roofed two-story wing, a pitched-roofed passageway, and a second wing with three stories, eight bedrooms, and a pitched roof. From the early nineteenth century on, artists such as Delacroix, Ingres, and Gérôme became fascinated by exotic subjects, which were often labeled “oriental” at the time. This philosophy might have been the impetus for the building’s Moorish Revival design. The dedication to “the study of literature and taste” lies at the heart of Scroll and Key’s philosophy, and the society’s new home had to reflect this ideal. Scroll and Key society members felt the need to do the same, and engaged Hunt for the project. In 1856, Skull and Bones built a permanent home designed by Alexander Jackson Davis in the heart of Yale’s campus. Initially, the society’s meetings took place in rented facilities in downtown New Haven. Scroll and Key, legally known as the Kingsley Trust Association, was founded in 1842 after disputes arose among members of Yale’s first fraternity, Skull and Bones. The Moorish Revival style applied here, widely admired at the time, is also unusual for Hunt’s architecture. It is the only remaining building by Richard Morris Hunt on Yale’s campus his Gothic Revival East Divinity Hall and the adjacent Marquand Chapel were torn down in the 1930s. The Scroll and Key Society Building, often inaccurately referred to as a tomb, is the home of Yale University’s second oldest secret society.
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